Film Noir movie posters

I used Photoshop to create these three movie posters by merging together multiple single images (this was done using the photos we took at the start of the project for the character profiles). The bottom poster is my least favourite of the three because it seems slightly unorganised and the main character (Detective John Carter, top right of this image) occupies a much smaller space than Bobby (on the left side of this image) who is a less important character.

I like the top two posters more because the three main characters nicely occupy the available space in equal amounts. The detective's close-up in these two posters shows that he is the main character and the positioning of Bobby and our femme fatale, Bonnie, creates a trailing perspective which refelcts the apparant significance of the charcaters within the film itself. It could be said that Bonnie looks too innocent for a femme fatale in the top and middle posters, however, this simply reflects the deceitful nature of her character.

I much prefer the middle poster to the top poster, though, because of the title: the title of the middle poster is more professionally advanced and outstanding, the blood-red colouring of the word "Lustful" represents the meaning of the word itself as well as symbolising love and danger too. The contrast between this and the white colouring of the word "Injustice" makes the title appear bolder and this combined with a subtle shadow makes the title stand out far greater than the bland, simple title in the other two posters.

The one thing I do not like about all three posters is that the only text on them is the title; they should have writing on them about the cast, release date, director, producer etc and the production company logo should also be on them. Nonetheless I am pleased with the results.

The top two posters bare resemblance to the movie posters of L.A. Confidential and the spanish version of The Black Dahlia (both of which are examples of Film Noir movies that we watched in class and took inspiration from). By displaying the characters in this perspective (most important character at the front, decreasing in importance towards the back) the level of significance of the characters is instantly clear. I think the similarities with real movie posters show that the movie posters I created have an element of professionalism to them which has been created by the use of conventional methods stated above.

Script: Scene 6

Scene 6:

(Setting: Bobby’s house. Bobby just been shot. Confession that it was femme fatale who devised the drug deal)

Bobby: [In agony on the floor] It wasn’t me!

Detective Carter: Cut the bullshit, Bobby

Bobby: I’m telling ya, detective, it wasn’t me. I swear to god

Detective Carter: Swear to me! [Punches bobby]. If it wasn’t you who was it, huh?

[Detective punches him again. No response/confession from Bobby. Detective turns to leave, about to walk out the door]

Bobby: Wait… [Detective pauses then turns. Paces slowly, menacingly towards him. Bobby gets up, hunched over desk, struggling for breath]

Carter: Who was it? [No reply] Bobby, who was it?!

Bobby: [Reluctantly] Bonnie. [Detective pauses in shock] I couldn’t tell you before but-

Carter: What? What do you mean?

Bobby: She’s been playing you like a fool and me as well apparently! Right now your so called beloved is dealing 100 grands worth of smack, she got us both right where she wanted. Out of the way!

Carter: No no wait, that can’t be right!

Bobby: sorry detective but little miss bonnie is probably out with hundred grand right now, and you won’t ever see her again. Trust is a powerful thing isn’t it.

Carter: Chester get him to hospital, I’ve gotta get after that bitch!

(runs out)

Script: Scene 5

Scene: Detective Carter arrives at Bobby the mob Boss’s house.

-Knock knock-

(Scarlett, one of Bobby’s comrades, comes to the door, she opens it a crack. Obviously trying to protect her boss. She is trying to make detective Carter leave. He Refuses. )

-Door opens.-

Scarlett: And who might you be?

Carter: I’ve come to speak to your boss, now move aside sweet cheeks I haven’t got all night.

Scarlett: I’m afraid I don’t know what you’re talking about, ya know its past eleven, I could call the cops on you for making such a nuisance of yourself on my doorstep.

Carter: Good luck with the cops, now I’m here to see mister Dents, Bobby Dents. I’m sure he is here, now either you be a good girl and let me in, or things could get pretty nasty around here (opens jacket, a revolver on show)

Scarlett: Shit okay, hold on just a second mister.

(Door closes, Carter is left outside, and He sparks up a cigarette while he waits)

Scarlett: Okay sir, he will see you now

(She holds the door opens as he steps through)

-Bobby is sitting at a desk writing, he hardly acknowledges the detectives arrival. Scarlett walks over and perches herself on the side of the desk.-

Bobby: Step outside darling

Scarlett: But sir he…

Bobby: Leave us! (Slightly shocked at his outburst Scarlett slips out the room) Now detective, what was so urgent that you had to almost knock down my door at this time of night?

Carter: Maybe I just wanted a chat, its come to my attention that you might come into some money soon, (pause) ya know try about 10 K. This drug heist you’ve got going on, don’t insult me by saying you don’t know what I’m talking about, that amount of smack could make L.A. drop back into the oblivion that it was just crawling its way back out of! Now Bobby, if you would be so kind id like you to tell me where the deal is happening, then come with me to the station. Now this is gunna happen, you either tell me then walk there, or ill beat it out of you and drag you there, and I wouldn’t wanna rip that tailored suit of yours, would I?….So?….What’ll it be?

Bobby: Well sir seems you’ve floated out into some rather deep water; you don’t wanna mess with the sharks out here, so I suggest you run along and keep your nose outta my business.

Carter: I don’t want things to get messy, just tell me what you know!

Bobby: You have no idea what you are talking about, obviously whoever opened their trap to you, and I have a good idea who it is, isn’t telling you everything…

Carter: Cut the crap Dents.

Bobby: Uh uh uh, I wasn’t finished. (Pause) Now you should go and find out what is really going on, because Miss Kensington isn’t as she seems.

Carter: Leave her outta this!!

Bobby: Ahh I see, she already has you round her little finger, just be careful you don’t get scratched. Now I’m gunna give you 5 seconds to get the hell outta my house, or the next time you see your beloved Bonnie is at your funeral! (Puts a gun on the desk)

Carter: (pulls out gun) I said leave her outta this! Tell me where the deal is taking place!

Bobby: 5…4…

Carter: Don’t make me kill you; I wouldn’t want that information splattered over the wall behind you.

Bobby: 3…2…last chance detective.

Carter: Spill it Dents! (Raising his gun)

Bobby: 1...well I am sorry it came to this, shame you let your heart rule your head (picks up gun) rookie mistake kid.

-Starts firing at each other, Bobby behind his desk, carter behind the door-

-Bobby gets a hit in the stomach; he falls to the ground with a cry of pain, the gunfire ceases-

Script: Scene 4

SCENE 4

Bonnie: I’ve had a wonderful time

Carter: I shall sort this thing out for you baby.

Bonnie: Oh you are so kind Detective. I wish I could repay you!Carter: No repayment needed. It’s for you and me both.

Bonnie: Thankyou.

Carter: Anything for you! (they kiss, long shot)

Carter calls chester:

Carter: Meet outside the station. We’ve got to sort this thing out now.

Script: Scene 3

SCENE 3

(out for dinner)

Detective John Carter: (VOICEOVER) I couldn’t work out for the life of me what it was about Miss Bonnie Kensington that made me fall so fast. Knowing she had the control and was almost in charge of me made me weaker than I’d ever imagine.

(Giggles, leg rub under the table, laughing, drinking)

Fade in sound of them conversing but also the hustle of the restaurant. No focused dialogue.

Script: Scene 2

SCENE 2

Detective John Carter: Chester! Get in here. We’ve got a case to unravel.

Chester and Carter look through the people bobby has supposedly murdered, and Carter’s father’s photograph appears. Music comes in and shows his face as he looks at it determinedly.

Script: Scene 1

SCENE 1

(In office)

Detective John Carter: “I was told that these photographs of the towns latest criminals contained some of those we have before seen on many occasions. They were not wrong. 'Bobby' as he had been known had been in these photographs of the most wanted since he shot my father. He had also been drug dealing since I began my job back in '34. This lady was supposedly known to have a connection with him. I knew it was my job to try and find the two so that I could finally be at peace with the death of my father. Had I known what wool was to be pulled over my eyes, things could have ended very differently."

Date put on the bottom to show change of time.

SCENE 2

(In office)

(knock at door)

Detective John Carter: Come in

Bonnie Kensington: hello, sir. (waits by door)

Detective John Carter: What may I help you with, madam?

Bonnie Kensington: well, I’ve been thinking for some time that I should perhaps tell you policemen something, but I keep changing my mind. I don’t know if I should, oh

Detective John Carter: Maam you know we’ll help you and have your best interests at heart.

Bonnie Kensington: yes I know. Okay well I came over here 5 years ago from England, and my family, well, they weren’t to well off you see. I met this man called ‘Bobby’ one day after class and he promised me he’d make things better for us. So I believed him.

Detective John Carter: Bobby? Bobby Dents?

Bonnie Kensington: oh have you heard of him?

Detective John Carter: the name is a little familiar.

Bonnie Kensington: I’m not supposed to tell anyone what he’s doing with all his business but he does bad things to me sir, and I can’t take it no more.

Detective John Carter: what business?

Bonnie Kensington: Oh I couldn’t

Detective John Carter: Look doll, you gotta tell me what you know if you want this man to have the justice he deserves.

Bonnie Kensington: Well, okay sir. I know for a fact that if I was to be perhaps taken out for dinner by you I’d be more persuaded to tip the scales in your favour. You see, I can’t just give in to you immediately. He’ll have me shot!

Detective John Carter: Is there actually a problem here? Or do you just want some appreciation?

Bonnie Kensington: Oh sir there is a problem. A big problem. But there’s something about you and I don’t want to let you get away. So take me somewhere I’ll like and we can sort this thing out.